Klass is Classy

Oh do forgive the awful wordplay, but it simply had to be done.  

Upon receiving my daily dosage of my guiltiest of pleasures (the inscrutable* Mail Online), I couldn't help aaawing and aahing at Myleene Klass.  Both her figure and fashion sense bring me close to tears (green with envy etc.) and I'll never forget the iconic image of her in a skimpy white bikini taking a shower in I'm A Celebrity Get Me Out of Here.  Appreciative, not perverse, I'd like to point out.  It may not be quite as iconic as Elizabeth Hurley's safety pin dress or Audrey Hepburn in Breakfast at Tiffany's shrouded with jewels and seductively holding an overly long cigarette, but it's definitely high up in my books.  

Take a look at this dress.  The fur collar totally gets my seal of approval.  I'm not usually fanatical about fur, but ever since I purchased a jacket with a fur rimmed collar and received many compliments, I agreed that fur can be fabulous, if fashioned fittingly.  A little touch of our furry friend turns an LBD into a FLBD - a furry little black dress.  Granted, it doesn't have quite the same ring as LBD, but hear me out.  No-one, and I mean no-one can deny that the lady is owning this dress down to the ground.  She struts the figure hugging ensemble with a fierce sensuality while still keeping it casual.  And I would too, if I had a waist like that.  Carved by Rodin himself.  A definite winner.

So I thought I'd take it upon myself to delve into the archives and pull out some of Klass's classiest moments:

Green is a favourite of mine, and I often have to stop myself from vigorously peeling green dresses off hangers when I hit the shops.  It's more exciting than blue, and I believe many more people suit the shade than is commonly thought.  I never usually endorse shiny materials either, but I think I'll have to say au revoir to my out-of-date stereotype and bite the bullet on this one.  I mean, the woman's practically glowing.  In a good way.  And it does a great job of highlighting her sun-kissed skin.  And bravo to match it with orange nails.

There are few people that can pull off yellow, and I'm certainly not one of them.  But if you've got the skin-tone of Miss Klass, matched with locks which could give chocolate a run for its money, then a bit of yellow is definitely worth investing in.  Even if you end up blinding half the people in the room when you make your entrance.  But when you're a celebrity, you are called to stand-out.  When you're competing with the red carpet, there really is limited space for holding back.  Apart from the firecracker shoes, what I love about Myleene's look here is the sheer elegance.  And you know what makes it even better?  She wore it in Heathrow Airport.  Talking about flying high on the fashion radar.

And now heading back to 2012, in October at the Brit awards she opted for a strapless purple peplum dress which she even designed herself.  Is there any colour this woman doesn't suit?  And according to Vogue (a fashionista's beacon of knowledge), purple is the IT colour of Autumn/Winter 2012/2013, which probably explains why on a recent shopping exhibition to H&M and New Look, I was spoilt for choice with the regal colour.  Must.  Hold.  Back.

I'm also loving the black lace bag which makes an appearance in two of these photos.  Vintage! 


Watch this space.

Montana

* spelling errors/missing captions/misleading titles to name a few reasons...

7 Shades of Paris

7th installment

continued...

I step quietly into the church, not wanting to disrupt the choir.  A gust of wind ventures to slam shut the heavy iron door but I catch it just in the nick of time.  A medley of pensive anthems are being performed and I stand at the back of the cathedral, overwhelmed by the rich sound which echoes through the pews.  Men and women young and old scatter themselves, some with their heads bent down in prayer and others kneeling on hand-stitched hassocks. 

I step over a grate in the icy building, being careful not to catch my heel.  I stare up at the imposing stained glass windows reflecting the Saints, the winter sunlight pouring through the glass to create a rainbow of colours.  My hair flickers gold.  I smile at the group of French babies in pushchairs who show their toothless gums as their Maman's wipe off the leftover yoghurt from their podgy faces.

He places his hand on the small of my back and I can feel my face glowing with a rush of heat.  The nerves on my cheeks start to prickle as I suddenly forget where I am, like an angel in the presence of God. 

 ...

He holds my hand and I take him vintage shopping in the Marais.  I hide behind clothes rails cluttered with fashion from the 50s; the clothes my Grandmother would have worn in young adulthood.  I try on over-sized knitted jumpers, ridiculous headpieces and unflattering dresses with bobbles and frills.  He takes photos of me with my Polaroid, telling me to pull funny faces.  We laugh and chatter until the film runs out.  He doesn't think I've noticed but I see him sneak one into his jacket pocket.  My knees turn to jelly and I sit down on the floor of the dressing room in my white bouffant skirt, my ragged red curls bouncing along my back and a tiny beaded corset clinching my waist.  "Is everything alright in there?" he asks.  I look at myself in the mirror, having fallen back into a different era.  He makes life more exciting.  I pull back the curtain and look up into his perfect face.  ''Gosh you're beautiful" he exclaims, before wrapping his finger sensually around one of my curls.

Christmas & Celebs

It's not every day that you get to see the Christmas lights coming to life in Paris.  And it's not every day that you get to see a celebrity either.  And when I say celebrity, I don't mean a one hit wonder from the 70s trying to make a 2012 comeback - I mean Diane Kruger, the stunningly beautiful actress who currently lives in Paris and was cast as Helen of Troy in 2004 opposite the (ex) love of my life Orlando Bloom.  And when Christmas lights and Diane Kruger join together, you should get an amalgamation of something really quite beautiful.   

The Christmas lights on the Champs Elysées (or as I've nicknamed it, "The Champers'') were officially turned on last night and crowds of people gathered around a small stage near the Arch du Triomphe exit at Charles de Gaulle Etoile to catch a glimmer of Paris coming alive with Christmas cheer.  Despite the buzzing atmosphere, it was definitely a stressful experience, being pushed around and forced to practically hang onto the person in front of you for dear life.  But we had all come here for a reason; to be present for this memorable event in the company of a Hollywood actress.

She stood there, looking as radiant as ever, cameras mounting on her every movement.  Then came the big moment.  Glitter and confetti showered the arena and came tumbling down in shimmering silver streaks like a never ending firework and the lights flickered.  I was hoping for a stunning display of French creativity (I'm in a city nicknamed the City of Lights after all), but was instead left disappointed.  Tacky rings were attached to all the trees along the famous street, flashing orange, then purple, then pink.  I was hoping for silver fairy lights twinkling in the leaves, but Christmas never looked more tasteless and commercial.  They were like giant glow in the dark wristbands.  I frowned, knowing that this month's taxes would be paying for it.

Watch this space.

Montana

6 Shades of Paris

6th installment

continued...

I put on yesterday’s clothes and head out into the crisp air alone.  I’m wary of becoming overly attached to my Parisian counterpart and set it upon myself to have a day to myself to ponder and regale with a friend the prior day’s events.  He’s starting to occupy my mind more than is comfortable and I try to knock him from my thoughts for just a second, but he keeps biting back more aggressively.  I look at my reflection in a shop window, my hair slightly frazzled and my rosy cheeks accentuating my red locks.  I helplessly try to mend my appearance, embarrassed by my ‘bed head’.  I really should have brought a hairbrush.  The cold, fresh air is jarring to my lungs and walking past a crepe stand I see a man with a comic moustache and a wide smile who perches over freshly made pancake batter.  I stop for a moment and order myself one for the journey home, covered in lashings of creamy nutella.  It starts dripping out of the bottom of the flimsy cardboard holder so I lick the underneath, smearing it all over my face.  A passerby stops and stares in disbelief.

I peer nosily into a second hand vintage shop where the owner is sitting in a rocking chair, smoking a cigar.  Rings of smoke blur his face; in fact the whole surroundings smell of musty smoke mingled with a faint stench of alcohol.  Everything is covered in a sheet of feathery dust and I flick through a card stand, spinning it around, trying to find something meaningful, or poetic.  I buy a 50 cent black and white postcard of an abandoned guitar sitting on the metro.  There’s something beautifully nostalgic about the picture but I can’t put my finger on why.

My phone vibrates in my pocket and my heart momentarily stops.  I nervously giggle to myself, trying not to share my sentiments with the rest of the world.  I wait a few minutes before opening the message, focusing on quelling my overactive delight

…

A restless night is spent dreaming about him.  We haven’t even kissed, but there’s something so wonderfully gallant about him.  He strikes me as the sort of man who owns a chateau in the French countryside and spends his afternoons galloping on his various horses.  I don't think I've met a more versatile creature.  One who values glamour, but not excess.  I create endless scenarios of us spending summer days together in the South of France, soaking up the sun on his yacht and snorkeling among the coral reefs.  I picture each step; introducing him to my parents, and spending New Year with his friends.  I’ve known this mysterious man for a grand total of three days but I’m already his captive.  I start biting my nails.

5 Shades of Paris

5th installment

continued...

“That was absolutely amazing.”

I turn around to see a young British woman waving at me with a white satin glove.  “We absolutely loved it, didn’t we Dickie?  He couldn’t stop raving about you.  You marvel!’’ I hear her say.  But as touching as the young woman’s words are to me, all I can see in front of me are black dots.  My skin is becoming hotter and her voice drowns into a general noise vacuum which disorientates me.

…

I wake up in an unfamiliar room.  It smells different, like rose-scented candles.  My head moulds into the pillow, made from the softest goose feathers, and the fluffy duvet envelops my body in sublime warmth.  I’m not sure whether I’m still dreaming but I stare absent-mindedly up towards the cream ceiling, covered in sculpted angels; a glimpse of heaven.  I try to pull myself up from the heavy duvet when I see something sparkle.  Crawling to the end of the king-sized bed I study the sparkling object more closely and recognise almost immediately a gold satin slipper.  I start frowning.  I search around for the other one but it’s nowhere to be seen.  

The floorboards creak and I stop in my tracks.  “Who’s there?” I whisper, grabbing the slipper as my sole weapon.  “Brilliant, you’re awake…” comes a voice, but it’s too late.  I’ve already thrown the slipper at him, but I watch it miss and fall straight through the window, beneath the venetian blinds.  I hear a woman scream “merde” from down below and I put my hand to my mouth.  “I’m, I’m sorry” I cringe, “I thought you were trying to attack me”.   “Attack you?” he repeats, bewildered, “now if I really wanted to hurt you I don’t know how far I’d get with a croissant”.  I snigger.  I watch him take a hearty bite out of the buttery croissant and I immediately pace towards him to try snatch it off him.  “Not so fast” he remarks, lifting it higher in the air.  “What about girls first?” I moan.  “That must be a British thing” he laughs, “in France, it is always men first”.  “You big joker!” I retaliate, jumping back onto the bed and doing my best puppy dog impression.  “Don’t do that, it might give you early wrinkles” he says, winking.  “That’s not how the story goes though!” I say, pretending to whine.  “What story?” he asks.  “The story where I look like a cute, lost little puppy and you become so mesmerised that you simply can’t take your eyes off me and proceed to give me everything and anything I want” I retort like a baby.  “Ah, that story.  You’re living in a fairy tale you know, ma Cherie!” he whispers in my ear.  I sit on the bed with my arms folded, looking like a grumpy school-child.  “You have multiple personality disorder, you know” I say, comically.  “Multiple…?” he says, confused.  “Well what about last night?  The dress, the corsage, the diamonds, the…anyway, it seemed last night that you would have given me anything I wanted” I confess.  “Well of course, but if I treat you too much you might get bored of me.  I need to keep you on your toes.  Especially now that you have no shoes” he jokes, glancing towards the open window.

 

4 Shades of Paris

4th installment

 
continued...

''You're on in five minutes'' he whispers.  I look up, confused.  ''What do you mean?'' I ask.  ''I know it's not quite the West End, but it's a start'' he says, grinning at me.  I stare into the mirror, a tight ball of fear beginning to clog my throat.  Could this really be happening?  “But I don’t have a song prepared” I squeak.  “But you do” he mutters earnestly.  Ever since I was a little girl I’ve always dreamed of performing “Maybe This Time” from Cabaret, to recreate the one and only Sally Bowles.  Nights would be spent practicing under the bed covers to mirror the vocals of Liza Minnelli in the 1972 film.  I foolishly told him this whilst gorging on a plateful of food in the restaurant.  “But how…?” I attempt to struggle with him, but he places two fingers against my lips.  “You ask too many questions” he responds, smiling.

I begin to feel that all too familiar sensation of butterflies flitting around excitedly in my stomach.  A rush of adrenaline makes my heart pound and my breathing becomes shallower.  He gently touches my arm and I shiver.  “Follow me” he says, gripping my hand.  “But what about my shoes?” I fret.   I lift up my sweeping ball gown to show him a pair of navy blue converse.  “I thought you might be wondering” he chuckles, “will these do?”

Cinderella’s glass slippers are nothing in comparison to what my eyes behold.  Gold satin heels with shimmering gold beads, hand-stitched into a forest of wild flowers.  Time is running out and I gently slip my left foot into the silky insides of one heel, followed by my right.  Like a magician, he brings out a gorgeous corsage of cream roses from behind his back which he promptly ties to my wrist, with all the delicacy of a bee to a flower.  My hair is still tied in a firm bun from earlier, but I feel him gently ease his hand through my locks and before I know it my vibrant red tresses are bouncing and flowing in perfect ringlets.

...

I'm centre stage.  The bright lights are blinding me somewhat but I don't let them vex me.  A sea of black stares back at me, and I'm not able to make out any faces in the glaring light, but I can sense the heaviness of the crowd, the murmurings, the chinking of wine glasses.  I hear the first note on the piano loosen up, joined by a faint drum beat.  My cue is getting closer, but it's as if the words are stuck on the edge of my lips and can't seem to move.  I take one large breath and open my mouth.

3 Shades of Paris

3rd installment

 

continued...

We make our way towards Montmartre, home of The Moulin Rouge.   Passing an array of magasins selling erotic memorabilia and dramatic head-pieces, we follow the bright red lights and the momentous fan.  I tiptoe out of the taxi, overwhelmed by what I see.  Women wearing vibrant feather boas float around the entrance provocatively.  But before I can fully take in the spectacle, I’m taken backstage through a door of hanging jewels that twirl and rattle in the breeze.  I watch the reflection of each bead bounce off the surrounding walls, made up of slanted mirrors, magazine cut-outs, messages written in lipstick and remnants of spray-on fake tan.  I walk past heavily made-up women in lavish, cleavage-inducing costumes and faux diamonds, and I immediately hold on more tightly to the real ones I’ve just been given.  I want to ask what all the fuss is about, until he takes me to a glamorous room set behind a red velvet curtain.  Lipsticks, hairbrushes, combs, curlers, and bottles of the dearest perfumes are neatly lined on the glass top of a majestic dresser.  I bring my hand to my mouth and turn to face him.  “Oh you shouldn’t have” I whisper, but when I turn around I see that he’s disappeared.
 

I slip on the emerald green dress, being careful not to catch the zip on my pale skin.  It fits perfectly.  I powder my nose with a brush as soft as cashmere, watching the silky particles softly melt into my complexion.  Opening five different lipsticks, I find the perfect shade.  With one short lick of lipstick my lips turns from neutral pink to a deep, bloody scarlet.  With a black eyeliner pen I gently draw one small black beauty spot above my lip.  Opening a bottle of perfume I breathe in the pungent scent, an aroma of rose and vanilla tingling my nostrils. 

Just as I’m about to open the box from Tiffany’s, my wealthy suitor enters the suite.  I’ve never seen a man look so dapper.  His hair is perfectly coiffed, wearing his tuxedo like he’d been born in it.  “Wow”, I hear myself saying.  He nods at me.  “You don’t scrub up too badly yourself” he says, causing me to giggle.  “Scrub up - it’s a phrase you people say in England, yes?” he comments.  I nod, equally amused by the phrasing of “you people”.  

I hand the diamonds to my glamorous cavalier who neatly places them on my chest before delicately fixing the clasp.  All the while I’m staring into the mirror which is reciprocating the finest elegance.  I touch the diamonds with the tips of my fingers and feel the lightness of his warm breath resting on my scalp.   

2 Shades of Paris

2nd installment

 

continued...

...the following day

I make chitchat with a street vendor outside the Notre Dame who excitedly shows me an eighteenth century manuscript of the Bible.  I watch as he fumbles through the pages of his most prized possession with the purest of pride.  He turns it over and I squeal at the price tag.  His neighbour points poetically at his antique collection of toy soldiers and I hold them up to the sun delicately, afraid the forever chipping paint might seal my fingers.  I then spend the early afternoon getting lost in Shakespeare’s company amongst piles of dusty books which have that glorious, pungent smell of leather. I tiptoe quietly behind a stack of books and delve in before I am awoken from my reverie by a young child hitting the vintage keys on an out-of-tune piano.

My stomach rumbles and I look up at an imposing Grandfather clock.  Late lunch in a Swiss-style Bistro with a mysterious suitor awaits me.  A set-up from a friend back home in England: ''a real catch".

I arrive to a gourmet spread.  An oozing raclette, steaming potatoes drenched in butter and herbs, cured ham and crusty brown bread.  A good bottle of red sits majestically on a rustic wooden table.  The fire-place is blazing, the waiter smiling, and the complimentary Spanish olives rolled with feta and sunblushed tomatoes wet my appetite.  A cough startles me.  I turn around to see a man in a smart black trench coat with his back to me.  There's something about his posture I recognise from somewhere but I can't seem to place it.  Or perhaps it’s the leather satchel.  It suddenly clicks - I'd met him on the metro the day before.  He grins at me, the awe-struck red-head.  "Have you been following me?'' I ask.  ''Of course not'' he says, equally as surprised as I am.  ''Fate?'' I declare, cringing slightly at my dreamy remark.  ''Someone had to say it'' he replies, his mild French accent making my stomach churn with excitement.  ''Sophia was right about you'' I tell him sheepishly.  ''About what?'' he says, grinning.  ''Oh, nothing,'' I reply, ''nothing at all!''


We talk and talk into the early evening and he tells me all about his future plans to travel the world and become a writer.  He marvels at my life-long ambition to become a musical theatre actress in London's West End and make it big.  Like a true gentleman he slips a credit card onto the table and pays for everything, even the extortionately priced scoop of mango sorbet which I insist on having.  ''You like your food'' he remarks as I begin to satisfy my sweet tooth.  I make mmmm noises and he laughs.

It’s almost 20h.  I look up at the star-studded sky, clad in a beret and stripy scarf, my knitted Hermes coat with navy blue tassels squeezing my ribcage slightly more than normal.  He steals my attention by producing two shiny tickets from his wallet.  "The Moulin Rouge'' he announces rather nonchalantly, “fancy going?”  My face lights up immediately.  ''But I don't have anything to wear'' I say, looking down at my bulky attire.  He opens his briefcase and pulls out what looks like a crisply folded package from Marchesa.  He pulls a dress out of the pink tissue paper, ''to match your eyes'' he says, smiling.  ''I thought these would look nice too'' he says as he brings out a familiar turquoise box from his pocket.  Diamonds from Tiffany's.  “Oh you do know how to treat a girl” I retort, as I cradle the dress in my arms.

1 Shade of Paris

A short story

1st installment

Winter.

The leftovers from autumn’s leaves are swept into a bed of tousled confetti.  Christmas lights are projected through the crystal air, broken only by a faint whisper of cloud.  The wind blows momentarily and the leaves tumble down in a cascade of deep magenta.  One settles on my scarlet scarf - emblazoned with sprinting stallions - and curls into a heart.  Douce Nuit ripples out of an old record player on the Champs Elysées, glittered with festive spirits and candy wrappers.  A gentleman offers me a glass of freshly brewed mulled wine.  Christmas is arriving in Paris.

I spend my days funnelling through little side streets with their quaint Latin architecture and intricate black iron balconies.  I stumble upon Rue Ferou with lines from the poet Rimbaud inscribed on its musty yellow bricks.  I withdraw my Polaroid.
 

Hopping on the metro, I find an empty seat between a dog, its owner and a cheerful old man.  I peer above my broadsheet newspaper to stare at a dashing Monsieur; a 20-something year old young professional with a leather satchel and glossy brown hair which he flicks to the side occasionally with help from his chiselled jaw line.  He pretends to read a free copy of Le Direct Matin but I know he secretly can't help looking at me, the mysterious red-head with the sea green eyes hiding behind the giant canopy of words.  The metro gets busy and we stand up to make way for loved up couples and map-bearing tourists on their way to elegant soirées and cheerful Brasseries.  He accidentally brushes my hair with his perfumed lapel before I bite my lip and giggle.  Charmed by my British allure he darts me the eyebrows but before he can say anything, I disappear into a sea of faces, ready to discover what Paris has next in store for me.

The Sparkle Effect

After going to the exhibition Paris Seen By Hollywood a couple weeks ago, I unknowingly took quite a tumultuous liking to sparkly things.  Maybe because I'm already in tune with the festive season, or maybe because Paris has started putting up its Christmas lights.  Either way, the ball gown from the hit musical Lovely to Look at (1952) was showcasing on centre stage, adorned with a flurry of golden sequins and it was magical.  Just like Dorothy's sparkly red slippers, this dress was in every way iconic.

A few days ago, during a much-anticipated shopping trip in the commercial centre Les Quatre Temps near where I work, I managed to pick up what seemed like every sparkly object in sight before hoarding them in a dressing room, just like a magpie.  I attempted to squeeze my baguette-induced love handles into glittery dresses, tops and coats, in all the wrong styles, shapes and sizes just to get that inch closer to the Hollywood sparkle I so deeply wanted to achieve.   

Sequins are tricky.  If worn correctly, they can be classy, eye-catching, show-stopping etc.  If not, it's very easy to look like you're trying too hard, and they can look tacky.  Plus, cheap sequins have a tendency to a) fall off  in a Mexican wave effect by which a whole row seemingly dismantles itself, or b) lose their colour.  The last thing you want is for that gorgeous gold sequined sparkly dress of yours to turn copper brown. 

Ella Henderson - 2012 X Factor hopeful

But I'm not the only one feeling sparkle savvy.  I must admit that I have long said au revoir to The X Factor.  The show seems (how shall I put it?) so last year, and I'm fed up with seeing desperate wannabees who seem to spend more time crying their hearts out than singing them.  I think they'd be able to flood England with all the tears shed.   The sad reality is that these misinformed hopefuls actually believe that they could be the niche in the already niched-out market.  Singing in an annoying airy fairy, wispy voice is no longer ''unique talent'' - it's totally 2008 Diana Vickers copycat.  Each contestant strives to get closer and closer to fame when the reality is that all they're worth is a misspelt headline in the Daily Mail or a three-month Wikipedia column.  I don't regard that as a particularly mean feat.  And no, this isn't jealousy talking.  

Above is a photograph from last Saturday's show.  As much as I've come to love sequins over recent weeks, this is what I'd called a sparkle overload - the silver, black and purple mesh from online boutique Lipsy I frankly found to be a little too overwhelming.  (Sadly those in favour of this fashion flop won't be able to purchase the dress as it was customised and thus not available in their catalogue!)  I personally think she (or more likely the show's dressers) should have taken note from former X factor judge Dannii Minogue who back in September rocked a gorgeous sequin gown which I would do anything to get my hands on right now! Despite her apparent lack of balance, the gown shows just the right amount of cleavage and curve in a gorgeous midnight blue hue which thankfully doesn't scream Disco diva, unlike the aforementioned Miss. Henderson.  Of course if you're invited to a party and ''Disco Diva'' is the theme then I urge you to go ahead and dress yourself in as many multicoloured sequined items as you can get your paws on.  Charity shops would be your best bet for searching for 80s style regalia.  When you're rocking out to Gloria Gaynor on the Karaoke, there's really no room for holding back on the attire front.

Back to the 21^st century.  During said shopping travels I tried on a frock in H&M which I was in two minds about.  The main thing stopping me was the fact that I felt like I'd just jumped back to my  flat-chested days at the turn of the millennium, dressed like a school girl for her first ever disco.  The blue and green sequin shimmer was exquisite however, hence the two minds.  Yet I also found the black netting made it feel like I was wearing a tutu, forcing me to reminisce about the old days when I'd go to ballet every Wednesday evening.  The only time acceptable for a girl aged almost 21 to wear a tutu is when she's going as a vampire slut for Halloween.  Which, I'm happy to say, I didn't do this year.  The forever memorable quote from Mean Girls comes to mind: "In Girl World, Halloween is the one night a year when a girl can dress like a total slut and no other girls can say anything about it''.  Well, that's what we tell ourselves anyway.

I never usually shop in Zara as I find the clothing seems more geared towards working women rather than fun-loving students with vibrant taste, but I was nicely surprised by what was on offer during my shopping travels.  To satiate my love of sparkles, I decided to slyly wander over to a rail which had my name written all over it.  You know when you see a dress which just seems so stunningly beautiful and expensive and you’re fully aware you can’t afford it, know you probably won’t look good in it (because that’s what the models are for), yet you still can’t help taking it off the rail and holding it to your chest to pretend that it’s yours for five sweet minutes?  And then you rush off with it to the fitting room; the lick of the zip going up the side of your back is just too nice a noise, and you know it must be done.  Half of you is hoping that the dress looks terrible on you, just so that you’re not tempted to part ways with your ever-burdened wallet, while your vanity is just hoping you look like the bees knees because there’s nothing quite like staring at yourself in the mirror and repeating to yourself “corr, you look good!’  I bought the dress. 

Watch this space.

Montana